Barbara Bragg (Linklater Voice-Actress-Writer). Barbara began studying Shakespeare at 20 and never looked back. She met Dennis Krausnick and Tina Packer at Shakespeare & Company (Lenox, MA) and was introduced to Kristin Linklater. Barbara has been studying and teaching Kristin Linklater’s approach ever since. She is presently being mentored by Heidi Yudis (Director of Voice, Stella Adler Academy–Los Angeles) and in the designation process. Utah University (undergraduate) and Yale School of Drama (MFA). Ten years in New York, Credits include: Off-Broadway, Off- Off Broadway, and regional theatres Shakespeare & Company, Pioneer Memorial Theatre, and Utah Shakespeare Festival. In Los Angeles: Member of the Classical Theatre Lab, The MET Theatre Company, Los Angeles Women’s Shakespeare Company, Yale Cabaret Blue/Hollywood and Pacific Resident Theatre. Most recently in Oliver Mayer’s "Laws of Sympathy" directed by Jon Lawrence Rivera at Playwright’s Arena. TV/film: West Wing, ER, Third Rock from the Sun, Jake in Progress, Lincoln Heights, “Vampires ion Venice” (Canne Film Festival), “The Olivia Experiment (Sundance entry) "DownStream" with Eric Stoltz, "Match made in Heaven" with Olympia Dukakis. Barbara shot five national commercials in the last year. “True West Girl” her solo show was first directed by Deborah Goodwin and produced by Alfred Molina. At the M BAR – Bruce Katzman helped her re-wrtie and produce it and then at the Hollywood Fringe Debra De Liso directed it to great reviews. Barbara is a Linklater Teacher (in designation process) and a sought after speech and dialect coach.

Bonnie McNeil is a longtime Stella Adler alumni. She's been a part of the Adler family for more than twenty years. As part of the original "Company," she performed in The Three Sisters and The Seagull, directed by Joanne Linville; and A Private View, Missalliance, Entertaining Mr. Sloane, and the world premier of Heartbreak, all directed by Milton Justice. She was a founding member of Page 93, a company of alumnus such as Tim McNeil, Mark Ruffalo, Christopher Thornton, Susan Vinciotti, May Quigley and Jack Rodgers who she had the pleasure of working with on Hamlet, The Marriage of Bette and Boo, Happy Birthday Wanda June, A Stye in the Eye, For Whom the Southern Belle Tolls, and Margaret, written be Tim McNeil and directed by Mark Ruffalo. She is now a member of the Elephant Theater Company and most recently was nominated for an LADCC award for her performance as Mabel in her husband Tim's award winning play, Supernova, directed by Lindsay Allbaugh at the Elephant Theater. Her directing credits include, Side Man, The Marriage of Bette and Boo, Rosemary With Ginger, The Divorce Party, Laundry and Bourbon, and Unfinished. She recently finished filming As High As The Sky, written and directed by Nikki Braendlin.

Bruce Katzman was a student of Stella Adler for five years and attended the Yale School of Drama, where he earned his MFA in Acting. He has taught workshops on the plays of Anton Chekhov in Oxford, England, in Denmark, and in Buenos Aries, Argentina. He has taught in NYC at the Circle Rep Theatre School, Stella Adler Conservatory and the Actors Center, where he was a member of the founding faculty. He has been a visiting professor at the Yale School of Drama, Princeton, Williams College and the University of Scranton. Directing credits include Uncle Vanya and King Lear at the MET Theatre in Los Angeles. As an actor, he has appeared in New York with the Roundabout Theatre, Manhattan Theatre Club, NY Shakespeare Festival and Tony Randall's National Actors Theatre. TV credits include Desperate Housewives, Without a Trace, The O.C., Law and Order, NYPD Blue, Judging Amy, Strong Medicine and Late Night with David Letterman, as well as all the daytime dramas.

Certified at The Alexander Training Institute of Los Angeles; Attended NunoLisboa University, Brazil; Angel Vianna University, Brazil. Celio da Silveira is an AmSAT-certified Alexander Technique Teacher with a private practice in West LA, teaching individuals, groups, and workshops. He teaches annual interim Workshops at Cal-Arts Department of Music, substitute teaches for Alexander Training Institute of Los Angeles, and has been an assistant instructor at USC. He has extensive training in judo and dance, plays guitar and is an accomplished singer. www.celiodasilveira.com

Christopher Thornton is an actor, writer, and Alumnus of Stella Adler - Los Angeles. Theatre performances include; Off-Broadway's Pyretown by John Belluso, The World Premiere of Pyretown at the Geva Theatre in Rochester, NY, The World Premiere of The Body of Bourne at the Mark Taper Forum in Los Angeles, Lion or This Corpse Will Not Stop Burning at the Lillian Theatre in LA, Up the Hill, Me and My Friend, I'm a Professional, The World Premiere of Small Days by Timothy McNeil, Vaclav Havel's Private View, London Calling, Misalliance, Waiting for Godot (Drama Logue Award), Three Sisters, C.P. Taylor's Good, A Midsummer Night's Dream, Romeo and Juliet, American Buffalo, Zastrozzi, Sheperd's Play, The Skin of Our Teeth, and The Poor Itch at The Public Theatre in New York. Television credits include NBC's "My Name is Earl", Fox's "Unhitched", Larry David's "Curb Your Enthusiasm", "Homefront", "Players", and "Just One of the Girls". He has had recurring roles on "Family Law", Lifetime's "Any Day Now", and ABC's "Alias". He filmed pilots for ABC, FOX, and Comedy Central. Films include Universal Pictures' State of Play, Pretty Persuasion, Bug, and Welcome to California.

Christopher recently finished work on his original screenplay Sympathy for Delicious, (directed by Mark Ruffalo, starring Orlando Bloom, Juliette Lewis, Laura Linney, and Mark Ruffalo), which is an official selection in the 2010 Sundance Film Festival.

Claudia has taught workshops and private lessons in voice and speech in Los Angeles and the Twin Cities, as well as worked in production as dialect and speech coach. She also teaches workshops in Shakespeare to adults and students. Claudia apprenticed under Tyne Turner at the Utah Shakespearean Festival, and received her classical training at the Guthrie Theater Actor Training Program in Minneapolis, studying with voice instructors such as Elisa Carlson, Bonnie Raphael, Ursula Meyer, and Lucinda Holshue. She studied Linguistics at the Fundación Ortega y Gasset in Toledo Spain and in London with Thomas Pratke (Le Cog/LISPA), Patsy Rodenberg, Andre Wade, and Patrick Tucker. A performer since the age of 4, she has been in over 100 live productions and works in both Spanish and English on stage and screen. In 2006 she was awarded the Jerome Foundation's Many Voices Fellowship at The Playwright's Center. She is currently a member of the Independent Shakespeare Co. 

Dmitri Boudrine has more than 17 years of acting experience for Film & Television in North America. Dmitri studied film and TV acting and directing for five years at the Vakhtangov Theater School (Moscow, Russia), and went on to become an official representative of the school. The Vakhtangov Theater School is considered one of the 10 best acting schools in the world. He has performed on the stages of the world famous Moscow Art Theater and the Vakhtangov Theater. Dmitri's extensive list of North American credits includes Cast Away, Perfect Sleep, Runaway Virus, Pandora's Clock, Exiles In Paradise, Little Odessa, Lost, NYPD Blue, Without A Trace, Will & Grace, Monk, Alias, Robbery Homicide Division, X-Files, Mad About You, and Millennium. He also produced more than 75 TV projects for international broadcast. Dmitri worked with the United Players of Vancouver Theater Company where he directed Three Sisters and Uncle Vanya. Latter show was hailed as "one of the best Chekhovian performances in Canada in 25 years."

Dmitri taught acting at the Union of British Columbia Performers (Canada) for 7 years (1990-1997), Michael Chekhov Studio West (USA) (1997-2007) and is currently teaching at The Stella Adler Studio of Acting-Los Angeles. He has conducted numerous acting workshops in Canada, the US, and Europe. He is a member of SAG, AFTRA, ACTRA, and UBCP.

Eden Tirl is an Actor, Singer and Stella Adler - Los Angeles alumnus. As a teenager in Technique classes, Eden found the tools by which she could build truthful characters in real circumstances. Eden spent time with Stella Adler and Stella’s words of encouragement were also instrumental in Eden’s progress as a young actress. Theatre credits include: The Only Game in Town at Actor’s Circle Theater in LA, World Premiere of Haven in Los Angeles, Once Upon a Mattress at Children’s Theater Company in Minneapolis, South Pacific at GCT. A long standing member of SAG and AFTRA. Film and Television credits include: Funeral Party (Dir: Deverill Weekes, Prod: Gary Oldman), Rake’s Progress (Dir: Matt Wilder), Crispy Crackers and Beans (Dir: Robert Fontaine Jr.), The Bold and the Beautiful, The Cosby Show and numerous national and regional commercials. A special note: Studying voice with Jeanne Buchmann (Minnesota Opera Company) and Kay Montgomery (LA coach) were invaluable to not only my singing abilities but also complimented my technique as an Actor.

Licenciada en Psicología UCAB/ MFA/NYU/TISCH/Dirección Escénica. Sus créditos como Productora, Directora de cine, Directora de Casting, y Escritora incluyen películas como: Agonia, Sicario, Huelepega, Oro Diablo, El Don, Punto y Raya, Un Lugar Lejano, Des-autorizados, Esclavo de Dios, Solo (Pre-Produccion) "Des-autorizados" su reciente estreno  fue Seleccion Oficial a la Nominacion de los Premios Golden Globet del 13 Festival Internacional de Cine de Shanghai 2010. En el Teatro ha escrito y dirigido obras como: Los Criminales, La Boda de los Pequeños Burgueses, Un Hombre es un Hombre,  A Peticion del Publico, Blumfeld, Gaz, Stasis, Edipo Rey (opera), Rooms, La Leccion, Emigrantes. Varias de sus obras se presentaron en el teatro La Mama etc de Nueva York donde obtuvo el reconocimiento del publico y la critica del New York Times, Dayly News, Village Voice, Other Stages. Tuvo una destacada participacion en el Festival Internacional de Jerusalem asi como en el Festival Internacional de Teatro de Caracas -Venezuela pais donde ademas sus obras fueron reconocidas con el Premio Municipal y Premio de la Critica "Critven".

A Graduate MFA/NYU/TISCH. Film Directing credits include: El Gran Mundo, Pedro Navaja, Tierras Prestadas, Agonia, Sicario, Huelepega, Oro Diablo, Punto y Raya, Un Lugar Lejano, Des-autorizados, Esclavo de Dios.

Elia's film Punto y Raya earned  30 international Film Awards, was presented to the Golden Globe and was the Official Selection for Venezuela to the Academy Awards as well as Sicario, Huelepega and Oro Diablo. Her recent film Des-Autorizados was nominated for the Golden Globet in the 13th Shanghai Film Festival. Recently her film Un-authorized was Official Selection-Golden Globet Nominee to the 13 Shanghai International Film
Festival-China.

In the theatre she wrote and directed: The Criminals, The Wedding, Man is Man, A Peticion del Publico, Blumfeld, Gaz,Stasis, Edipus Rex (opera), Rooms, The Lesson, and Immigrants. Many of her plays were performed at LA MAMA ETC Theatre in New York with excellent reviews of the New York Times, Daily News, Village Voice, Other Stages. Some of her plays were presented at the Jerusalem International Theatre Festival and the International Theatre Festival of Caracas-Venezuela where she also was awarded with the Municipal Prize and the Critics Award (Critven).

Holds a B.A. in Theater Arts from Western Illinios University. A long standing member of SAG, AFTRA and AEA, she is a veteran of over one-hundred theatrical productions including originating roles in World Premiere Original productions Off-Broadway. Films & Televsion include: (Clarksdale, The Sequence, House M.D., Charmed); Four-Five Commercials & Voice Over Campaigns: (Prilosec OTC, K-Mart, Inside Edition, Pacificare). A sought after private coach her clients have appeared in a hundred films including: (Final Destination 4, Drillbit Taylor, Legally Blonde, High School Musical 2, Zoom, Monster House, Traffic), TV: (CSI, Medium, Cold Case, Monk, Hannah Montana, Suite Life of Zack & Cody); Commercials: (Pepsi, Old Navy, The Gap, Burger King, AT&T, Kraft).

Heidi is a Designated Linklater Voice Teacher who was trained and certified by Master Teacher, Kristin Linklater, author of the acclaimed book Freeing The Natural Voice. She has taught at New York University, New Actors Workshop, California Institute of the Arts, The Gene Frankel Theatre, Circle in the Square, Shakespeare & Co., The Hamptons Shakespeare Festival, and Kids Onstage. Heidi was a founding member and educationsl associate of The Hamptons Shakespeare Festival where she has performed in mainstage productions, as well as created and taught their summer education program, Camp Shakespeare. She was also a memeber of Shakespeare & Company where she trained, acted and taught voice and text. Heidi has performed throughout the U.S. including touring nationally in two historically based one-woman plays about Anne Frank and the Holocaust, and Immigration at the turn-of-the-century, with the Seattle based theatre company, Living Voices. She has directed and/or produced theatrical productions and readings of Kimberly Akimbo, Win/Lose/Draw, The Herbal Bed, A Christmas Carol, and Beautiful Bodies. Currently, she is a member of the Vox Humana Theatre Company in Los Angeles. She is a graduate of the University of Pennsylvania and Circle in the Square Theatre School in New York City.

Jade Gordon is a founding member of the Los Angeles based art collective, My Barbarian. With the group, she has performed and exhibited widely in Los Angeles: LACMA, REDCAT, Hammer Museum, MOCA, LAXART, Schindler House, LACE; in New York: The Watermill Center, The Kitchen, Whitney Museum, New Museum, Studio Museum in Harlem, Participant, Inc., Joe's Pub; and elsewhere at Art Positions, Art Basel Miami Beach; Yerba Buena Center, San Francisco; Hyde Park Art Center, Chicago; Aspen Art Museum; Contemporary Arts Forum, Santa Barbara; Vox Populi, Philadelphia; Samson Projects, Boston; San Diego Museum of Art; American Repertory Theater, Cambridge; The Power Plant, Toronto; De Appel, Amsterdam; Peres Projects, Berlin; Torpedo, Oslo; El Matadero, Madrid; Galleria Civica, Trento, Italy; Lui Velazquez, Tijuana; El Eco, Mexico City; CAC, Vilnius, Lithuania; and Townhouse Gallery/Rawabet Theater, Cairo.

Holding an M.A. in Applied Theater Arts from the University of Southern California, Jade teaches Theater History, Mask Performance Techniques, and facilitates the Community Outreach Program at Stella Adler. In addition, she is an adjunct faculty member in the School of Theater at CalArts, has led Theater of the Oppressed workshops for senior citizens and students in Los Angeles and for artists internationally, and has studied at the Center for the Theater of the Oppressed in Rio de Janiero, Brazil. Some of her professional acting credits include TV’s That 70s Show and roles in director Allison Anders’ films, Grace of My Heart, Things Behind Sun, and Sugar Town for which she was nominated for an IFC Independent Spirit Award for “best debut performance” in 1999. In 2010, she collaborated with Berlin and Seoul based artist, Haegue Yang on a solo performance at the Walker Art Center in Minneapolis.

Joanne Linville worked and studied closely with Stella Adler in both New York and Los Angeles. She began her television career in the 1950's, playing in anthology series such as Studio One, Kraft Television Theatre, Alfred Hitchcock Presents and The Twilight Zone. Ms. Linville has appeared in many televsion series including: Bonanza, Gunsmoke, Hawaii Five-O, Kojak, Charlie's Angels, Dynasty, and L.A. Law to name a few. She is best remembered as the female Romulan captain from Star Trek: The Orinigal Series. Ms. Linville has taught in both New York and Los Angeles. Her class, The Power of Language, is a unique and beautiful approach to the work that stands on the shoulders of Stella's Technique.

June Barfield is a Los Angeles-based writer who began her career as an actor in New York. Her acting credits include The Dybuk at LaMama, The Trojan Women (Andromache) and Under Milkwood at the George St. Playhouse in New Jersey; and Two for the Seesaw and Othello (Desdemona) in New Jersey summer stock. She starred as Malke opposite Maurice Schwartz in a Los Angeles production of the Jewish classic Yoshe Kalb by I.J. Singer (English version). She also appeared on television in Search for Tomorrow and in the film Why Must I Die. Her writing credits include: A Woman of My Age (adaptation of novel to screenplay), and Too Close to Home (a one-hour segment for the television series Family). She wrote the English adaptation (Together Again) of the telenovela El Derecho de Nacer for Televisa, S.A., and she was an associate writer for General Hospital and One Life to Live. June holds degrees in Theatre from Los Angeles City College and from Rutgers University. She studied Advanced Scene Study with Uta Hagen, Modern Dance with Martha Graham, and she was on scholarship under John Houseman at the Stratford, Connecticut American Shakespeare Festival and Academy where she studied with Morris Carnovsky and Phoebe Brand, original members of The Group Theatre.

Kennedy has been teaching Movement for Actors for over ten years in major acting programs in both New York and Los Angeles. Kennedy primarily teaches the Lucid Body Technique, which he learned during his 20 year association with Fay Simpson, creator of the Lucid Body Technique. He has been a collaborator in Ms. Simpson's company, the Impact Theatre, as well as an assistant to Ms. Simpson in her classes and workshops. Kennedy's Movement for Actors program is also influenced by the Skinner Release Technique, LeCoq Technique and Laban-Bartenief Movement Fundamentals. Kennedy is a founding member of the movement theatre company, The Gravity Project, where his most recent performance was titled 'Red Bush Blossoms,' a solo piece based on the poem 'Transcription for Organ Music', by Alan Ginsberg. Kennedy also has a background in Classical Acting, having been a core company member of the highly regarded Jean Cocteau Repertory Theatre in New York City. Besides teaching at Stella Adler-LA, Kennedy is a Lecturer in the Acting Department at California State University, Fullerton where he teaches Voice, Speech and Movement. He is a certified Yoga Instructor, having received the Level I certification from the Jivamukti Yoga Center in New York. He is also a certified Associate of Fitzmaurice Voicework.

A proud member of AEA, SAG, AFTRA and of the theatrical community, with a performing career that spans over fifty years, my credits include work on Broadway, Off-Broadway, in regional theatre, on film, television, radio, voice-over work, print work and in commercials, (resume available on request); serving as head juror for the UMKC Film Festival in Kansas City, MO, 1990-1995, as managing producer for the Actors Platform at the Los Feliz Playhouse, 1992-1997, and as producer for the NYU Tisch / Adler Summer Session, 2007-2008.

I studied with Stella Adler and Ron Burrus at the Stella Adler Conservatory in NYC, 1977-1979. In 1979 I became the private student and protégé of Mr. Burrus and we began the work of deepening the training of the Actor for the 21st century, which continues to the present.

My teaching career began in 1981 at Michael Moriarty’s Potters Field Shakespeare School in NYC and coaching privately. In Los Angeles, I taught for the Ron Burrus Studio at the Los Feliz Playhouse, 1990-2006. Currently at Stella Adler Los Angeles, I teach INTENSIVE TECHNQUE, SCRIPT/CHARACTER BREAKDOWN and ADLER ON-CAMERA, and am available for private coaching.

"The actor learns not just one, but several disciplines and techniques to further their craft. Many actors dance and sing. Some actors become proficient in make-up, or improvisation. Interest and skill in these secondary schools of practice serve to increase and enrich the various instruments the actor stock in his/her toolbox. Actors may excel and /or specialize in these techniques. Stage Combat is the art of performing acts of violence for a theatrical medium. What is drama? Conflict. A fight is the ultimate expression of conflict. Therefore, actors who fight in a scene are employing multiple techniques simultaneously. It's my job to train the acting student to fight on stage (or screen) convincingly, confidently and safely." Mr. Roth began fencing at age 16 in Dallas and has competed in foil and sabre. He also trained with fencing master, Theodore Katzoff; fight master, Dan Speaker; and the Academy of Theatrical Combat. In Los Angeles, he formed the theatrical swordplay troupe FORTE and performed staged fights at the Renaissance Pleasure Faire, the Mark Taper Forum, and the Hollywood Bowl. Mr. Roth has choreographed such shows as Hamlet IV Part I, and his own play Swachbucklers from Hell. Film credits include Hook, Army of Darkness, and Robin Hood: Men in Tights. His stage credits include Cyrano De Bergerac, Macbeth, and A Midsummer Night's Dream.

May Quigley Goodman is an actress, director, producer, and teacher. Her many stage credits include: Woman in Mind with Helen Mirren, originating the role of Heloise in Timothy McNeil's Crane, Ms., Self Torture and Strenuous Exercise (N.Y.), Female Transport (N.Y.), the National Tour of Vanities, and the role of Pamela in Heartbreak which she also originated. She has also had the pleasure to tour Ireland in the Gingerbread Lady. Amongst her many television appearances are: Cheers, Golden Girls, Fatal Exposure and My So Called Life. Her film roles have been in such diverse movies as Postcards from the Edge, Regarding Henry, Galaxies are Colliding and Craig Shoemakers's The Lovemaster to name a few. She produced the movie of the week Murder C.O.D. and is proud to share a "story by" credit on the film Picture Perfect starring Jennifer Aniston. Her directing credits include Moving, Brilliant Traces, Win Lose Draw and Crimes of the Heart and Boy & Girl here at the Adler.

Academy Award winner Milton Justice began his theatre career on Broadway, producing the world premiere of Tennessee Williams' Vieux Carre. Off Broadway he produced Jack Heifner's Vanities, which became the longest running play in off-Broadway history and co-starred Kathy Bates. His Off Broadway credits also include Das Luscitania Songspiel written by and starring Sigourney Weaver and Christopher Durang - selected as one of the 10 best plays of the year by the New York Times. Milton began as a student of Stella Adler's in the late seventies. In 1988, she appointed him to teach at her Los Angeles Conservatory as well as selecting him the Artistic Director of the Stella Adler Theatre Company. His other teaching assignments have included four years as a Lecturer at Yale, five years at New York University and for a year he was the Dean of the Institute of Creative Arts in Seoul, Korea. Most recently he spent a year as guest lecturer at Unitec in Auckland, New Zealand, and currently divides his teaching assignments between Yale University and Stella Adler-Los Angeles. His most recent producing effort, Losing Chase, marked Kevin Bacon''s directorial debut, premiered at the Sundance Film Festival, and won a Golden Globe Award for Helen Mirren. For his work in film and television he has received an Academy Award, an Emmy Award and five Golden Globe nominations. His theatre work has earned him eight Los Angeles Theatre Critics'' Awards, two GLAAD nominations and two New York Drama Desk nominations.'

Originally from Washington D.C., Ms. Dade came to Los Angeles in 1996 and began teaching at Stella Adler-Los Angeles in 1998. She has appeared in numerous television series including Lifetime''s Strong Medicine and NBC's Homicide in a recurring role as attorney Monica Murphy. Film work includes the Michael Jackson''s horror short, Ghosts, and SWAT. She has performed for 15 years with the national improv troupe Comedy Sportz and is a former member of the Groundlings Sunday Company. Ms. Dade is also a professional writer, recipient of a 2001 Telly Award for her screenplay, The Cross.

Paul began performing on stage at age 15 as a magician and clown. He continued for six years while studying pantomime with Richard Morse and dance with Joy Harper of the St. Louis Ballet. In Los Angeles he studied flamenco with Yvonne Rodriguez, who invited him to be a founding company member of Flamenco de la Garza. Paul has been the movement for actors teacher at The Stella Adler-Los Angeles for five years, during which time he has worked as a movement coach for Sony Films (Spanglish) and Columbia Pictures (Monster House), as well as dance companies, theater companies and individuals. Paul recently appeared as the Etiquette Ref. on MTV''S From Gs to Gents. In November he''ll create the creature role in the independent feature Creepers from World''s Last Hero Productions. Paul is the creator of the Movemental movement training program for actors. To learn more about Movemental check out Paul''s blog on the physical work of the actor at

Robyn Lee - creator of In the Moment: Mastering the space between you and the rest of the world, teaches acting at the Stella Adler Studio, New York and LA, with annual workshops at The European Film College, Denmark, Ophelia Professional Actor Training - Copenhagen, Austria, Norway, and Australia. Born in Australia, Lee began her life in ballet, accepted by the Metropolitan Opera Ballet, and Balanchine's Youth Company. Major ballets include The Music of Gould, Holst, and Stravinsky. On Broadway: Merlin, Dir/Prod. Ivan Reitman, 5,6,7,8, Dance, Dir/Choreo. Ron Field; Tours: LA: A Chorus Line; Toronto: Rocky Horror Picture Show, Joseph and his Amazing Technicolor Dream Coat. Robyn Lee has directed and Choreographed 10 Off and Off/Off Broadway shows including: HELP!!DESK (Producer's Club NYC), The Bear Went Over the Mountain, The Ruffian on the Stair, and Night Must Fall (Pulse Ensemble Theater.) Lee has authored three plays: Adore the Spirit, Gorged and Flying, and From Here to Here - all produced in NYC and Austria. Lee is co-founder and partner of Third Eye Media (third-eyemedia.com), a multimedia production company.

www.robynclee.com

Timothy Craig studied acting and script analysis personally with Stella Adler through the NYU Undergraduate Drama Program in New York City for three years and headed her conservatory voice and speech program for an additional six. His professional acting credits include roles in regional and summer stock theater, Off- and Off-Off-Broadway, industrials and many national, network commercials.

 

It was also during this time that he studied acting and directing for two years with Evgeny Lanskoy, a master teacher and recent émigré from the Soviet Union, and learned the revolutionary, model-based updating of the Stanislavski System of Acting.

 

Mr. Craig left New York City to attend USC's Graduate School of Cinema in Los Angeles and formed Cairn Productions, a successful partnership for producing and directing independent films, videos, commercials, industrials, and music videos. Most recently, he directed, shot and edited Take 22, a program of 22 video scenes for students of Edgemar Center for the Arts in Santa Monica.

 

A published and produced playwright and screenwriter, his play, Oregon Dawn, was a finalist for the Oregon Book Award for Drama. His most recent play, Count, was presented at the National Math Conference in Portland, Oregon.

 

Mr. Craig is a member of SAG, AFTRA, AEA, and the Dramatists Guild of America.

Mr. McNeil has appeared in over 30 films and television shows. His film credits include Forrest Gump, Contact, Speedway, Jundy, Starship Troopers, Small Souled Men, Poodle Springs, Wicked, and Spark, among others. Television credits include Joan of Arcadia, LAX, ER, House, M.D., Angel, Las Vegas, Seinfeld, Fresh Prince, Martial Law, Star Trek Voyager and others. Mr. McNeil has performed in over 40 plays, including Waiting for Godot, You're a Good Man Charlie Brown, Hamlet, Three Sisters, The Seagull, Crane Ms. Margaret, The Straight Bozo, Blue Streak, Misalliance, A Private View, Glengarry Glenross, Lambies, Virgin Vampires from Venus, Marriage of Bette and Boo, Me and My Friend, and Good to name a few. In addition, he has written and produced over 12 plays, including Crane Ms. Margaret, Supernova, Lambies, The Straight Bozo, Small Days, Blue Streak, Freddie's Dead, Le Blimp Sur La Lune, and Wreath among others. Mr. McNeil has also directed many plays including the award winning The Marriage of Bette and Boo, Beach Play, and Volatilizing the Esthers. He has been a member of Stella Adler Faculty since 1999, teaching Technique and Scene Study.